April 26, 2019
  • 5:08 pm Softball adds to strong year, hands Wooster first NCAC loss
  • 5:03 pm Dominating every phase of the game: Big Red baseball is rolling
  • 4:57 pm Men’s lacrosse earns Coach Caravana’s 300th career win
  • 4:54 pm Men and women’s tennis, golf continue strong seasons
  • 4:48 pm Stop comparing yourself to others
Follow us on Twitter


I sat down with Vaval Victor ‘20, who works as a programmer for UPC and as co-chair of D-Day committee, to get some information on the process and work that goes into organizing D-Day, the biggest event of the academic year. During our conversation, I focused on the selection of the D-Day artist, Ella Mai.

If you hadn’t heard of Ella Mai before the Gala reveal, you’re not alone. Ella Mai has only been active in the music industry for about four years, and her self-titled debut album released less than two weeks ago on October 12, 2018. She fits the phrase, “up and coming.” Ella Mai (born 1994), is originally from London, England and lived in New York City. Following an initial uneventful appearance on The X Factor, Mai released a four-track solo EP on SoundCloud. Her published work and popularity on Instagram, led her to being discovered and signed to Dj Mustard’s 10 Summers Records label. And since then, her career has been on a steady increase. I asked how the committee was able to anticipate the artist’s success? “Ella Mai doesn’t quite fit the mold of our previous D-Day artists.”

I have known Victor since the day of Inauguration, when we were grouped into the same Aug-O group, but that doesn’t mean I received any special treatment. Victor jealously guarded the identity of the artist, and in the weeks leading up to the reveal, the only clue he gave us was that the artist choice was “intentional” and meant to be much more symbolic, than that of previous years.

Somewhere in between his meetings and work shifts at CLIC and his late night dance practices, I got to sit with Vaval Victor. Victor, who is  an Anthropology and Sociology and Dance double major, was hesitant to answer my first question. “How would you describe yourself?” Instead he insisted, “It’s not about me.” But it is, the decision of D-Day artist is an important, noteworthy and defining component of D-Day and many students’ time at Denison. So, I insisted, “How can we [the student body] understand the committee’s decision if you don’t tell us about yourself, and the intention of your work, your thinking process?”

After thinking for about half a minute he answered, “I’m an artist. Creativity inspires everything that I do. My creativity is inspired by the ideas I admire and the situations that I have analysed.”

From the beginning Vaval knew that he wanted to do something different with the selection of D-Day artist. His intentions were straightforward – he wanted to change the “vibe” of D-Day. I asked him to tell me more about the “vibe” the committee is trying to promote, “The history of D-Day is based on community and fellowship amongst Denisonians. I wanted to take it back to its roots. When D-Day was first as a thing, it was a picnic. It was a day of rest for students to come together. The day and events have strayed a little from its original purpose. Victor was also concerned about peers that had told him that D-Day had become “too intense,” and created negative, preventable situations. Victor said, “We are trying to change that. This is a good day spent with community and music. We’re trying to make that happen and are open to collaborations with the community. We’re trying that with the quad concert. We are trying to get poets, spoken words artists, and other mediums of art on stage to diversity the experience.”

With a better picture of what the D-Day’s committee wanted to bring to campus. I got to the questions specifically on Ella Mai. Whos’ Ella Mai to you? “She’s the face of R&B right now. For me, she’s a true artist. She is very authentic. [It seems like] everything stems from her core. And her work is tied to experience and to the feelings that keep you centered.”

Is that what you were looking for? An authentic artist? “As an artist, I admire authenticity. And I admire when work comes from an authentic center, from the experiences we’ve lived. Finding artists who do that is inspiring to me. Their authenticity become “their touch.” I can recognize their work like a fingerprint.”

When did you realize Ella Mai had authenticity, or as you say, the touch? “There is poetry at the end of her songs. She’s true to her craft. Her music is a reflection of her true self. And because she’s just starting, I know she’s going to give us a 100%. I find her dedication inspirational, to be honest.”

Do you think previous artists haven’t given us their all? “I personally feel that not all artists who come here bring the authenticity and skill Ella Mai offers. Some concerts are built around that one big song, a one hit wonder, and it’s old, it’s the same thing. I know this won’t be like this. I don’t think Ella Mai’s concert is going to be centered on one song.” Although the artist was virtually unknown two years ago, she has been dropping EPs and acquiring a cult following and supporters from divergent and alternative groups.”

What was the most difficult thing about narrowing the search and deciding on Ella Mai? “Going with my gut was the most difficult things. I naturally want to please people but I had to move passed that. I had to actually listen to what the community wanted and what people were expressing a need for. I went through her EP and her social media, and tried to determine she was going to meet our needs, our culture. There was a Twitter trend which pointed out that men were listening to one of her early songs as a guilt pleasure. That caught my attention. And from there on, I had to go with my gut instinct. [But] when her debut album came out, it confirmed my instinct. It reassured me that she could be the artist for us. She has some real stuff to say.”

To close up the interview. I asked the committee co-chair what his favorite Ella Mai songs were. He narrowed it down to Boo’d Up, She Don’t and Shot Clock.

D-Day is one of Denison’s oldest standing annual traditions, if not the oldest. And it’s clear the the University Programming Council, backed by CLIC, want to make this year memorable. As we prepare to welcome the young artist to campus, who has recently been nominated for the 2018 Soul Train Awards, we encourage students to share their thoughts on the D-Day line up, and think of what it means to them to have our community, “revisited by authenticity”.

The Denisonian

The Denisonian represents the the majority view of the editorial board, consisting of the Editor-in- Chief, section editors and assistants. To know more about us as individuals, please scroll up and see "About Us."